As concerto soloist Thomas has performed in Austria, Canada, France, Germany, Poland, Sweden, Switzerland, and throughout the United Kingdom with conductors including Nicholas Collon, Michael Francis, Nicholas Kraemer, John Rutter and Robin Ticciati.  He has given the world premières of Nico Muhly’s concerto for electric violin and Christopher Ball’s violin concerto, also recording the latter for Omnibus Classics.  Of this recording The Strad writes: “Gould makes a ravishing sound on a 1754 Gagliano, sustaining the concerto’s melodic lines with a noble assurance and heart-warming intensity that compels throughout.”

Thomas wanted to update his website with a new look, his latest recordings and reviews, and have it all in a system that made it easy for him to update and manage.

We designed and developed a highly SEO optimised site to promote the college’s conference facilities.

Themes include adult social care and services for children, capacity building , construction and asset management, corporate transformation, performance improvement, procurement, progress through partnership and waste resource management.

In year one, IESE enabled councils in the south east to make £18.5million cashable savings and estimates over £40m cashable savings in year two. IESE is governed democratically by members across the south east and managed by a south east chief executives’ board.

We worked with them to create a new, more engaging and easy to use site that allows members of the public and local councilors to quickly access the latest tools and news available.

They needed a website to promote their concerts, raise sponsorship, sell tickets, allow people to join their email list, read reviews, advertise on Facebook, YouTube and more. We built a stylish site that reflects the professionalism of the group.

“Crashpadder.com is a glorious, utopian ideal borne out of a simple desire to travel around, without having to pay a kings ransom for a place to lay your head.

The idea for Crashpadder.com first presented itself to a young dragon slayer from the days of yore*. He would travel the country hither and thither, yonder and yonderer still, slaying dragons willy nilly and surprisingly (given the danger involved) was paid relatively little.

Then one night, as he slept valiantly – though uncomfortably – in a bush at the side of a road, the dragon slayer was visited by an astronaut from the future. Not knowing what an astronaut from the future would look like he assumed it was an angel -but that’s irrelevant to the rest of the story.”

CrashPadder was a large and pretty complex project, pulling together many technologies and areas of expertise. There are tens of thousands of lines of code powering the site, doing everything from the search algorithm, the booking process, and user registration process, to the embeddable JavaScript people can use to promote their rooms and the powerful statistics engine giving a breakdown of the site’s performance.
The design we kept pretty simple, with clear navigation and emphasis on usability. We also wrote a nifty little facebook app that allows people to promote their rooms there too.

We’re really proud of this one!

They wanted a website to form the basis of their network – members can post articles, lesson plans, news, conferences, job vacancies and social events. Given the vast nature of the topics covered we had to find a simple way of grouping and displaying the various topics up for discussion. We combined this with a modern, bold design, and a powerful backend.

The original WoolSafe programme for carpet care products was initiated by the International Wool Secretariat (now: The Woolmark Company) in 1990, launched in 1991, and transferred to Wools of New Zealand in July 1994. In October 1998 the WoolSafe name and Mark were acquired by The WoolSafe Organisation, incorporated in England as WoolSafe Ltd.

They wanted their site totally redesigning and overhauling to improve business and make the site more useful to visitors. We started by re-structuring their content into a simple navigation system, and brought all their content into standards compliant, easy to read XHTML. We then added a colourful bright design, Google maps, a clever search algorithm, and a few sheep.

They needed a totally new website that was both easy to use and yet full of detail about their rich and varied calendar of events: debates, yoga, speakers, wine tasting, conference hire and more. The whole site needed to integrate with their existing technologies and servers, be updateable by the committee (which changes every term) and the office staff.

Plus, new members can join online with PayPal, and have their membership cards ready to collect from the office with their details encoded.

By bringing together those with the different skills and interests involved in opera, be they musical, dramatic, artistic, technical or organisational, CUOS provides a focus for the wealth of talent, energy, and experience in Cambridge. Few student activities are so ambitious – or rewarding – as opera.

CUOS has a distinguished history of bringing new works to audiences, as well as conceiving fresh presentations of well-known operas, from the British premiere of Berlioz’s Beatrice and Benedict in 1967 to Mozart’s The Marriage of Figaro in 2006, with a new English translation by Jeremy Sams. In 2003–4, the student productions in Cambridge were a double bill of undergraduate chamber operas, Purcell’s Dido and Aeneas, Mozart’s The Magic Flute and Britten’s Peter Grimes. In 2004-5, the society staged two major English-language productions: Britten’s The Turn of the Screw and Stravinsky’s The Rake’s Progress. A highly successful run of Humperdinck’s Hansel and Gretel (2007) was followed by a sell-out, contemporary interpretation of Don Giovanni in Lent Term 2008. This year’s opera is Tchaikovsky’s Eugene Onegin.

They needed a website to show off their great work, allow people to join the society, and to promote their upcoming operas, masterclasses and trips.